Celeste: Hi Michelle! First of all, thanks so much for chatting to me. Can you just tell everyone a little about yourself to kick off?
Michelle: Hi Celeste! Thanks so much for having me. I am a freelance writer and have been in the publishing industry for over a decade now. I have surrounded myself with authors and books and writing my whole life. I have recently started to join my 3 passions which are writing, books and depression. The last bit sounds weird, but you will be amazed at how many authors and creative people battle with depression on a daily basis. So, as you will see in the image below, I have found ways to join my skills and interests into a really fantastic career. Read more
As most illustrators, I am always on the look out for books that will show me something new and thought it would be a good idea to share my findings and my top books. Please feel free to make your own suggestions and share in the comments.
The Animators Survival Kit is targeted at animators, hoping to learn a thing or two from the ‘greats’ about space, anatomy, and weight (to name a few). But I found this to be one of the most usual reference books for illustrators as well. Animators have to know from frame to frame, but as illustrators we always have to capture the moment of action. We have to enhance the drawing and bring with it the full potential, as, unlike animators who have endless frames to show movement, we only have one.
What illustrators also tend to do is stick to a ‘formula’ where once we have mastered a look, we stick to it. For example, when drawing a person running, we might stick to the classic, one leg stretched out, the other bend, one arm forward, the other behind. But that is not the only post in running. What about the body shape of the person? Are they a large person, or a skinny person? What happens to the large person’s belly when they run? Does it not move? Where is the weight? What happens to the skinny person’s back? Are they leaning forward? Does their neck extend? Read more
“Isn’t it nice to be with people who understand this kind of geeky talk!”
I was honoured to be invited to the second birthday of Book Dash. It was held at the Kalk Bay book store, which is a beautiful quaint shop by the ocean, filled with that wonderful smell of books, nostalgia and salty air. My first encounter as I walked in, was a table filled with past Book Dash printed books. These gorgeous little square books were full of colour and magical stories about children, animals and their adventures.
Soon, I heard the familiar sound of my own name from Julia Norrish, the organiser, who exclaimed that she didn’t realise I was so tall from my photo. But soon we were ushered to the comfortable couches where Athur Attwell, the founder, started his speech. After all the acknowledgements of authors, copywriters, supporters and supporters in the room, he informed us that while we were all there sipping our juice, wine and champagne, 15 stories where currently being printed in 11 different languages, to create 48 000 books.
And that was just the beginning! They are hoping to distribute into other parts of Africa, as well as into the digital realm, by partnering up with an eBook distributor.
He also announced that in the beginning they only had two stories. The first one was printed within a month and the second one was only finished a few weeks ago. Julia then announced that ‘Celeste is here!’ Apparently the story I took over from my illustrator friend (I won’t mention his name) in February had been sitting on the his table for two years! I quickly corrected everyone and said that it wasn’t my fault – I had only gotten it this year. I had no idea that Penguin Palace by Helen Brain had such a great back story.
Arthur started telling us all about the feedback they had gotten from the schools and I felt really humbled by the stories from children and teachers who were so grateful for the books. Made me feel really proud that I had contributed (in a small way) to this magical literary fairy tale. Read more
Celeste: Hi Caroline, thanks so much for taking time out to chat to me today! I just love your work! I understand that you have done a lot of illustrations for children’s books over the years. Can you tell my readers a little about yourself and how you came into this industry?
Caroline: Hey Celeste, Yeah thanks…. I was living at home in Cornwall after a disastrous gap year and bad health and worked on my illustration folio. I had a lucky break showing my folio to a card company in Bath and from there on in I started illustrating greeting cards for a company called Gordon Fraser, under the umbrella of Hallmark Cards in 1997. I worked for card companies for a couple of years, illustrating numerous ranges and making a living from that and bar work. I loved it. I was then offered my first children’s book around the same time, for Oxford University Press, and then another for Readers Digest in Bath. From one of the the first ever greeting cards I did with Hallmark, a company called Parragon wanted me to do a book based on that card, of Father Christmas. I did 7 more books in that range, plus another 6 over the next few years. That started my career. I also took part in exhibitions in local galleries at that time and got an agent via that connection. So for a while I did various illustration work and then I started working with the children’s publisher Little Tiger Press in 2005. I have been on a rolling book contract with them ever since. Meaning I am contracted to do 2-5 books in one contract, spanning over 12 months – 2 years in advance. I prefer a two book contract so I don’t feel trapped. Little Tiger are a great company and really look after me. To the extent of taking me to business parties and taking me out for dinner in Palaces and lovely restaurants in Bologna, Italy, while at the Bologna Children’s Book Fair. Read more
Celeste: Welcome Mike, to my blog! Before we get started, can you tell my readers a little about yourself?
Mike: Thanks Celeste. I appreciate the invite and opportunity. I live in the beautiful countryside just outside Edmonton, Alberta, where I’ve lived most my life enjoying comics, cartoons, sports, and ice cream. I also love creating stories and drawing and have been doing so for as long as I can remember. Professionally, I’ve been working in as an illustrator for over 16 years working almost exclusively on products for children.
Celeste: You style varies a lot, from realist to very stylised work. Can you tell us what your favourite project has been so far?
Mike: I have a couple favorites. Recently, it would be the I Don’t Want to be a Frog book, by Dev Petty, as well as my next book, A Tiger Tail. Both those books were such a natural delight to work on – which also helps having an incredible editing team that I really connected with. I should add that when I have time for it, I love doing personal doodles. I should really try to make more time for those.
Celeste: Not only are you a creative illustrator, but you’ve also been published as an author. How does it feel to be on the ‘other side’ as a writer?
Mike: It’s a very different approach to a project for sure. Drawing comes very naturally for me, where writing does not. When I get a manuscript that someone else has written, most of the hardest work has been done. As an illustrator, I get a lot of ideas and concepts I’d like to do or write. But an idea or simple concept is nowhere near a finished story. Writing a great story is the most difficult thing I have come up against, but something I also enjoy immensely. Read more